I haven’t written about a book I’ve read this week because I have hardly been reading. Instead, I am completely addicted to the television series Line of Duty.
I had decided to watch the latest series, Series 6, as it’s shown on BBC1 because my friends are watching it. I thought the first episode was so compelling that I then rushed to the library to borrow the DVDs of the previous series. And for the last week, every moment when I haven’t been preparing lessons, teaching, cleaning, being nice to my family or waiting on the whims of the cats and the hens, I have been glued to series 1 and 2.
The series is what I would term at the macho end of the artistic scale: guns, police raids, brutality, corruption, crazy plot twists, no time to sniff the roses. Characters trot out jargon and standard phrases but the quality of the acting means that their expressions, their eyes, are often telling us more than their words. The phrase ‘line of duty’ takes on a metaphorical quality pretty early on. What and where is that line? Who crosses it (practically everyone) and why? Is it fixed? Loyalty to your colleagues is the highest virtue; how far can you let that take you before you cross the line? Line of Duty doesn’t provide any easy answers to this, everyone gets dirty one way or the other.
The two series I’ve watched so far feature the same central characters, who work for AC-12, an anti-corruption unit that investigates bent coppers. In the first series we watch the trajectory of a successful and popular detective inspector who, in order to cover up his ‘weak spot’, is drawn further and further into a web of criminality and corruption. The actor who plays him, and the writing, are so good that even as we are revolted by his actions we feel his anguish, his conviction that this is not who he is. His struggles form the core of the story. He is a classical tragic hero.
In the second series, the central character under investigation is more ambiguous. Hitherto an exemplary detective who has impoverished herself paying for her mother’s care in a home, she is (eventually) the sole survivor of an ambush on a protected witness and three police officers. Did she knowingly lead them into the ambush or has she been set up as the fall guy? Has she just been trying to do the right thing? As the series develops, we see the officers investigating her also make bad choices, commit adultery, hide their financial problems and lie about connections to the investigation in order to protect themselves or their friends. The series asks: are some actions acceptable in some circumstances and not in others? Why?
I am now impatiently waiting for the library to re-open tomorrow so that I can borrow the third series. I am also amazed that anyone remains in the police force since so many officers end up dead or compromised!
(Quentin Blake, illustration for ‘The Pig’ in Dirty Beasts by Roald Dahl, ink and watercolour, from here)
Meanwhile... I am trying to write a second children’s book. So far I have written one full draft. Then I started typing this up and got halfway through when I realised that my Cunning Plan for switching viewpoints in alternate chapters was actually a Terrible Idea. Now I have started again although with bits of the First Draft, telling the story just from one viewpoint – which has necessitated quite a bit of moving things around and changing things. I’ve also cut a sub-plot.
At the moment I have two major problems. One is trying to keep organised as I rewrite, but maybe I shouldn’t worry too much about that and hope that Future Helen sorts it out at the next stage. The other is that I now have a narrator who is a servant in an alternate nineteenth-century northern England. Obviously, her words will be read, not spoken, but I sort-of don’t want her to sound terribly middle-class while at the same time I don’t want her to end up either like Joseph in Wuthering Heights (unreadable!) or like a patronising stereotype (‘Oo arrh madam I do be heartily sorry’). My present solution is to get her to use a lot of idioms but I am not sure how well that’s working.
Anyway – I recommend Line of Duty. All of those years when people were saying it was good – they were right! Surprise! Is anyone else out there a fan?